![]() ![]() Despite its constraints, the system was capable of churning out an estimated 26 million permutations.Ĭritics of the era exercised skepticism. The meter-making machine relied on producing just six words that never varied in scansion or syntax (always adjective-noun-adverb-verb-noun-adjective, as in “ martia castra foris prænarrant proelia multa” or “martial encampments foreshow many battles abroad”). More specifically, a grammatically- and rhythmically-correct line of dactylic hexameter, the kind used by Virgil and Ovid. ![]() For the price of 1 shilling, visitors to the exhibition space could wind up the wooden, bureau-like contraption and watch the mechanized spectacle of wooden staves, metal wires, and revolving drums grinding out a line of Latin verse that would appear in the machine’s front window. In 1845, inventor John Clark debuted his Eureka machine at the Egyptian Hall in Piccadilly, London. One of the earliest known poetry generators was born from the Victorian enthusiasm for automata. Yet inventors have been endeavoring to build exactly such devices-and the history of attempts to create these artificial bards is longer than you might think. Perhaps because these compositions represent the most human of pursuits, it seems like one of the last talents humans would ever cede to machines. It evokes emotion, imagination, and connection between author and reader. Poetry allows us to explore the depths of what means to be human.
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